Jazz Planet

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Edited by E. Taylor Atkins

University Press of Mississippi

Due/Published November 2003, 272 pages, paper

ISBN 1578066093

Jazz is typically characterized as a uniquely American form of artistic expression, and narratives of its history are almost always set within the United States. Yet, from its inception, this art form exploded beyond national borders, becoming one of the first modern examples of a global music sensation. Jazz Planet collects essays that concentrate on jazz created outside the United States.

What happened when this phenomenon met with indigenous musical practices? What debates on cultural integrity did this "American" styling provoke in far-flung places? Did jazz's insistence on individual innovation and its posture as a music of the disadvantaged generate shakeups in national identity, aesthetic values, and public morality? Through new and previously published essays, Jazz Planet recounts the music's journeys to Asia, Europe, Africa, and Latin America.

What emerges is a concept of jazz as a harbinger of current globalization, a process that has engendered both hope for a more enlightened and tranquil future and resistance to the anticipated loss of national identity and sovereignty.

Essays in this collection describe the seldom-acknowledged contributions non-Americans have made to the art and explore the social and ideological crises jazz initiated around the globe. Was the rise of jazz in global prominence, they ask, simply a result of its inherent charm? Was it a vehicle for colonialism, Cold War politics, and emerging American hegemony?

Jazz Planet provokes readers to question the nationalistic bias of most jazz scholarship, and to expand the pantheon of great jazz artists to include innovative musicians who blazed independent paths.

Contributors: Christopher G. Bakriges, Christopher Ballantine, Raúl A. Fernández, Johan Fornes, Benjamin Givan, Bruce Johnson, Andrew F. Jones, Michael Molasky, Warren R. Pinckney, Jr., S. Frederick Starr, Acácio Tadeu de Camargo Piedade, Linda F. Williams, and Stefano Zenni