On Representation

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by Louis Marin,

Translated by Catherine Porter

Stanford University Press

Due/Published December 2001, 439 pages, paper

ISBN 0804741514

At his death in 1992, Marin had published some three hundred articles and essays in various journals and anthologies. A collection of twenty-two essays that appeared between 1971 and 1992, this book interrogates the theory and practice of representation as it is carried out by both linguistic and graphic signs, and thus the complex relation between language and image, between perception and conception.

The essays are grouped in four parts that reflect the continuity and coherence of Marin's interests in semiology, narrative, visuality, and painting. The interdisciplinary horizon of the book draws on multiple scholarly resources--the cultural history of the seventeenth century, the philosophy of language, the tools of discourse analysis, the history of art and aesthetics, the analysis of reception--to address a diversity of subjects ranging from historical painting through cartography to the processes of deciphering texts, interpreting stories, and reading images.

Throughout the essays, Marin's reflection on representation is supported and deepened by his exegesis of graphic art. His analysis of works by Caravaggio, Philippe de Champaigne, Le Brun, and Poussin, among others, provides the armature that allows him to describe both the structural logic of representation and the intricate processes of production and reception that make it dynamic and unstable. Marin demonstrates why the pursuit of a general theory of representation is experienced by artists and critics alike as an inevitable, yet unattainable objective.

Series: Meridian: Crossing Aesthetics